Welcome Thieves

March 28, 2016
In his first collection of stories for adults, YA author Beaudoin (Wise Young Fool) captures the sardonic exasperation of late adolescence and early adulthood with sharp dialogue that's strung through set pieces, mixing the everyday and the absurd. Many of the characters are contumacious dreamers. In the opener, "Nick in Nine (9) Movements," a teenage boy in a hardcore band begins reluctantly to accept the responsibilities of adulthood before an offer from erstwhile bandmate Duff brings on an ironic revelation. The lingo is snappy in sections, but often falls flat: "He's won a partial scholarship to a place in Ohio... Something State. Dude name of Pell good for a grant." In the later stories, Beaudoin leaves behind the acerbic wisenheimers for more reflective, truly humorous characters such as young Krua in "Base Omega Has Twelve Dictates," who lives in a surreal, dark encampment run by Larry Our Leader. In the standout, "Tiffany Marzano's Got a Record," Jake and Tiffany haul donated belongings of the recently deceased amid an unnamed health crisis in 1992 San Francisco. Jake, who worries that "the virus is secretly eating into his brain, occluding his thoughts," finds an ally in fellow outsider Tiffany. Beaudoin is a clever, if sometimes cloying, guide to the comical, awkward, and revelatory cusp where youthful levity becomes maturity.

January 1, 2016
Sad sacks, troubadours, and other beautiful losers populate this debut collection of short stories by YA novelist Beaudoin (Wise Young Fool, 2013, etc.). About half the tales in Beaudoin's quiver have some real grit, like Springsteen or Bob Seger songs written about the travails of Gen X-ers back in the golden days of flannel. That vibe is better than it sounds but it's too often derailed by postmodern sarcasm and juvenile wit. The first two stories are pretty typical Midwestern Americana. In "Nick in Nine (9) Movements," we follow a guy who thinks he's going to grow up to be Slash (and doesn't). In "The Rescues," we pretty much meet the same Everyman, here finding his humanity in helping people fix their beater cars. Things take a darker turn in "Hey Monkey Chow," mostly about a guy who has a near-miss sexual encounter with his adopted sister. "It's weird how almost everyone does the worst thing, every time," Beaudoin writes. "Gives in to their essential natures without thought or complaint. Our little brains suckered in by the first shiny thing. And then, when we have a chance not to be, a real and obvious chance to prove we're actually half-human, still fuck it up." In these and other tales, there's also a perplexing and persistent immaturity that probably works well in the author's novels but less so here. Only in "You Too Can Graduate in Three Years with a Degree in Contextual Semiotics" do we see a real portrayal of adulthood, and it ultimately finds its protagonist pining for the one that got away. Just to show he still has some tricks up his sleeve, Beaudoin slips in a mickey with "Base Omega Has Twelve Dictates," a really funny satire of teen dystopian fiction. A clever but uneven story collection that reads a bit like a present-day Replacements concert: you never know from page to page if you're going to get the melancholy poet or the drunken joker.

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