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The Valiant Woman

The Virgin Mary in Nineteenth-Century American Culture

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Nineteenth-century America was rife with Protestant-fueled anti-Catholicism. Elizabeth Hayes Alvarez reveals how Protestants nevertheless became surprisingly and deeply fascinated with the Virgin Mary, even as her role as a devotional figure who united Catholics grew. Documenting the vivid Marian imagery that suffused popular visual and literary culture, Alvarez argues that Mary became a potent, shared exemplar of Christian womanhood around which Christians of all stripes rallied during an era filled with anxiety about the emerging market economy and shifting gender roles.
From a range of diverse sources, including the writings of Anna Jameson, Anna Dorsey, and Alexander Stewart Walsh and magazines such as The Ladies' Repository and Harper's, Alvarez demonstrates that Mary was represented as pure and powerful, compassionate and transcendent, maternal and yet remote. Blending romantic views of motherhood and female purity, the virgin mother's image enamored Protestants as a paragon of the era's cult of true womanhood, and even many Catholics could imagine the Queen of Heaven as the Queen of the Home. Sometimes, Marian imagery unexpectedly seemed to challenge domestic expectations of womanhood. On a broader level, The Valiant Woman contributes to understanding lived religion in America and the ways it borrows across supposedly sharp theological divides.
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    • Library Journal

      March 1, 2016

      Alvarez (religion, Temple Univ.) has written a well-researched exploration of America's widespread interest in the Virgin Mary between the Immaculate Conception declaration of 1854 and its semicentennial in 1904. In five roughly chronological and thematic chapters, Alvarez examines specific moments in Mariology through cultural sources such as conversion fiction, the popular press, mass-produced Marian imagery, and acclaimed art history texts. She convincingly argues that Americans of the period, Protestant and Catholic alike, understood Mary as an exemplar of both woman- and motherhood. The author teases out differences between Catholic and Protestant invocations of Mary as a figure of veneration and documents the deployment of the icon by those who saw in divine motherhood a powerful metaphor for women's political leadership. The work could have spent more time discussing where Mary fits within other models available to Americans during this period as well as included a discussion of Marian imagery and rhetoric in the context of the era's racial politics. For example, what role did she play within the enslaved and free black communities, among Mexican Americans, and to the white supremacists of the Reconstruction South? A more intersectional analysis would have strengthened this study. VERDICT Scholars of 19th-century women's and gender, religious, and visual history will appreciate Alvarez's insights.--Anna J. Clutterbuck-Cook, Massachusetts Historical Soc. Lib., Boston

      Copyright 2016 Library Journal, LLC Used with permission.

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