Frieze is a contemporary art magazine, published eight times a year. It was founded in London in 1991 and is renowned for publishing essays, profiles, interviews and reviews by today’s leading writers, artists and curators. Across all platforms and live events frieze elevates the provocative, brilliant and leading voices who shape and challenge today’s art world.
CONTRIBUTORS
Editor’s Letter
Frieze
TO DO • Fifty years after its premiere, Robert Wilson offers readers a map for restaging a 1970s opera themselves
Is She in There? • One Take: On the occasion of Lutz Bacher’s solo show at Raven Row, Matthew McLean takes a close look at her portrait of Princess Diana
Taking Account • Re-evaluations: How do we read Catherine Millet in the age of #MeToo and autofiction?
The Apostle • Re-evaluations: Is Jeff Koons America’s most religious artist?
Beautiful Experiments • Re-evaluations: How Madame Satã predated contemporary discussions on gender performativity, racial violence and identity politics
Sore Feeling • Re-evaluations: How The Dreamers reveals the disappointments of a generation
Where Are You Now? • Re-evaluations: Post-internet art wasn’t just cool; it was the product of a seismic shift
Features
Ali Cherri • Profile: Wilson Tarbox visits the winner of the Silver Lion at last year’s Venice Biennale and considers the role of the artist in a time of political crisis
‘Sound has the power to not only transcend lines of control, but to act as a vehicle to reimagine our struggles.’ • Conversation: As her first US solo museum exhibition opens at Contemporary Art Museum St. Louis, Hajra Waheed speaks with curator Wassan Al-Khudhairi about how sound and music can be vehicles of resistance against a backdrop of marginalization and political instability
THE FACE OF THE DEEP • Roundtable: As generative AI and large language models such as ChatGPT storm our creative industries, Ben Davis, Stephanie Dinkins, Mike Pepi, Noam Segal and Christopher Kulendran Thomas delve into a philosophical and political debate on the viability of machine artistry
Romance Dawn • Essay: Simon Wu reflects on Asian American media in 2023 and the ideals of friendship
Trance States • On the 50th anniversary of Robert Wilson’s groundbreaking opera The Life and Times of Joseph Stalin, former filmmaker and dancer Robyn Brentano reflects on her long friendship and collaboration with the American theatre director
On View • International listings of galleries for November / December 2023 – For more information, visit frieze.com/on–view/galleries
Asia Pacific
Europe
Americas
Reviews
Mónica Millán • W-galería, Buenos Aires, Argentina
Ato Ribeiro • Museum of Contemporary Art of Georgia, Atlanta, USA
Pedro Reyes • Lisson Gallery, Los Angeles, USA
Sarah Miska • Night Gallery, Los Angeles, USA
Fiona Connor • Chateau Shatto, Los Angeles, USA
Florian Krewer • Aspen Art Museum, USA
Daniel Shieh • The Arts Center at Governors Island, New York, USA
Brandi Twilley • Sargent’s Daughters, New York, USA
Alix Vernet • Helena Anrather, New York, USA
Michael Snow • The School, New York, USA
Bienal de São Paulo • Various locations, Brazil
EROS • P21, Seoul, South Korea
Nomeda & Gediminas Urbonas • National Gallery of Art, Vilnius, Lithuania
Dowsing • Layr, Vienna, Austria
Wanda Czełkowska • Muzeum Susch, Zernez, Switzerland
Noa Eshkol • neugerriemschneider, Berlin, Germany
Gilles Jacot • Rinde am Rhein, Düsseldorf, Germany
Nora Turato • Sprüth Magers, Berlin,...