Frieze is a contemporary art magazine, published eight times a year. It was founded in London in 1991 and is renowned for publishing essays, profiles, interviews and reviews by today’s leading writers, artists and curators. Across all platforms and live events frieze elevates the provocative, brilliant and leading voices who shape and challenge today’s art world.
CONTRIBUTORS
Editor's Letter
Frieze
Jack O'Brien • To Do: What's on the agenda for the art world's most booked and busy?
Ring Cycle • One Take: Daisy Lafarge on Tacita Dean's 2006 work Crowhurst
Raiding the Icebox • Dance: A celebration of Yvonne Rainer's return to choreography by Charles Aubin
In Pleasure or Pain • Dance: Remembering Rebecca Horn's revolutionary experiments in movement by Vanessa Peterson
Don't Blink • Dance: Malik Nashad Sharpe turns the audience's gaze back on itself by Travis Alabanza
Moving Pictures • Dance: What does choreography bring to film? by Damien Jalet
Temps Lié • Dance: Joseph Toonga and Joseph Sissens on expanding and reimagining the Royal Ballet
My legacy is the work I do to assure others have a better experience than me.
Features
Tracey Emin • Profile: From her hard-fought battle with cancer to her delicate brushstrokes and sinuous prose, the artist reflects on a life and career that challenges conventions and celebrates raw vulnerability
FROM PRETTY TO CUTE AND BACK AGAIN • Essay: McKenzie Wark on cuteness as sociocultural category, transfeminine aesthetics and the revolutionary potential of prettiness
‘I'm trying to explore a state in which everything feels charged.’ • Interview: With a new exhibition opening at Camden Art Centre in London, artist Jack O'Brien speaks to curator Edward Gillman about how the city's architecture shapes the eroticism of assemblage
Carry Forward • Festschrift: As Alvin Ailey's retrospective opens at the Whitney Museum, Malik Gaines.Alastair Macaulay, Constance Stamatiou and members of the choreographer's company reflect on how his astonishing vision changed American dance
The Line Becomes a Spiral • The virtuosity of Alvin Ailey proposed an alternative to the forward march of 20th-century art history by Malik Gaines
Dancer from the Dance • Current and former members of the Alvin Ailey American Dance Theater reflect on the legacy of the great choreographer by Eva Yaa Asantewaa
Revelator • Alvin Ailey's most important dance dwelled in history to celebrate freedom by Alastair Macaulay
Mourning into Dancing • More than a half century after it premiered, Cry remains a poignant expression of loss and grief by Constance Stamatiou
What Could Have Been • The following pages are selected from The Use of Photography (2005), reissued by Fitzcarraldo Editions and Seven Stories Press this month
Asia Pacific
Europe
Americas
Reviews
Judy Chicago • LUMA Foundation, Arles, France, and Serpentine Galleries, London, UK
Joseph Kusendila • WIELS and CINEMATEK, Brussels, Belgium
Lee ‘Scratch’ Perry • Cabaret Voltaire, Zurich, Switzerland
Sidsel Meineche Hansen • Ordet, Milan, Italy
Šejla Kamerić
Hannah Höch • Belvedere, Vienna, Austria
Antonio Ballester Moreno • Tanya Leighton, Berlin, Germany
Vaginal Davis • Moderna Museet, Stockholm, Sweden
Ade Darmawan • Cemeti – Institute for Art and Society, Yogyakarta, Indonesia, and ROH Projects, Jakarta, Indonesia
Aotearoa Contemporary • Auckland Art Gallery Toi o Tāmaki, Aotearoa/New Zealand
Backbone • Carbon.12, Dubai, UAE
Renee So • Kate MacGarry, London, UK
On Feeling • The...