Frieze

Frieze is a contemporary art magazine, published eight times a year. It was founded in London in 1991 and is renowned for publishing essays, profiles, interviews and reviews by today’s leading writers, artists and curators. Across all platforms and live events frieze elevates the provocative, brilliant and leading voices who shape and challenge today’s art world.

CONTRIBUTORS

Editor's Letter

Frieze

Amy Sillman • To Do: What's on the agenda for the art world's most booked and busy?

What a Mess • One Take: Ahead of Paul McCarthy's exhibition at Hauser & Wirth, London, Jonathan Griffin looks at his disturbing new video

Bathed in Light • Disobedience: P. Staff's environments agitate against the medical-industrial complex by Iarlaith Ní Fheorais

Speaking Out • Disobedience: Kiri Dalena on finding her voice as an activist

A Sense of Utopia • Disobedience: Sanja Grozdanić and Bassem Saad's performance for a scorched planet by Shiv Kotecha

People Over Property • Disobedience: Alva Gotby's new book asks readers to celebrate communal housing by Holly Pester

Against Intervention • Disobedience: Beatriz Santiago Muñoz asks if we're thinking the wrong way about collaboration Interview by Andreas Petrossiants

Features

Spectator Generator • Essay: Why do biennials remain so compelling for curators and artists - and should they?

Titillate and Terrorize • Reflections on the lasting influence of Linder's feminist photomontages, ahead of a retrospective at the Hayward Gallery

Parts of a World • Festschrift: Three writers - Emily LaBarge, Lucy Ives and Amy Sillman - celebrate the American painter Joan Mitchell on her centenary

Lucky Strokes • Painter Amy Sillman revisits Joan Mitchell's painting Wood, Wind, No Tuba (1979), tracing shared connections between the two-step rhythm of abstraction and music

Reading at Joan's • Lucy Ives explores the connections between New York School poets and Joan Mitchell's paintings

La Vie en Rose • Emily La Barge revisits the later years of Joan Mitchell's illustrious career

RENÉE GREEN • Profile: In the run-up to her upcoming show at Dia Beacon, the artist reflects on her legacy of challenging the boundaries between art and interpretation by Zoë Hopkins

‘Sometimes I'm hosting; sometimes I'm performing; sometimes I'm just giving instructions.’ • Interview: As he gears up for a major solo exhibition at Pirelli HangarBicocca, Milan, Tarek Atoui speaks to C. Spencer Yeh about the role of education, collaboration and hospitality in his practice

Asia Pacific

Europe

Americas

Reviews

Fierce Festival • Birmingham, UK

Coumba Samba • Arcadia Missa, London, UK

Ella Walker • Pilar Corrias, London, UK

Patricia Domínguez • Cecilia Brunson Projects, London, UK

Michael Craig-Martin • Royal Academy of Arts, London, UK

Imran Perretta • Somerset House Studios, London, UK

Jem Perucchini • Corvi-Mora, London, UK

Lily Bunney • Guts Gallery, London, UK

17th Lyon Biennale • Lyon, France

Lucy McKenzie • Z33, Hassett, Belgium

Cosima zu Knyphausen • Galerie Thomas Schulte, Berlin, Germany

‘Play It As It Lays’ • Charim Gallery, Vienna, Austria

Oscar Tuazon • Franz-Josefs-Kai 3, Vienna, Austria

Melvin Edwards • Fridericianum, Kassel, Germany

Louis Fratino • Centre for Contemporary Art Luigi Pecci, Prato, Italy

Leonor Antunes • Centro de Arte Moderna Gulbenkian, Lisbon, Portugal

15th Baltic Triennial • Contemporary Art Centre, Vilnius, Lithuania

Ulla Wiggen • Espoo Museum of...