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Frieze

Issue 247 - November/December 2024
Magazine

Frieze is a contemporary art magazine, published eight times a year. It was founded in London in 1991 and is renowned for publishing essays, profiles, interviews and reviews by today’s leading writers, artists and curators. Across all platforms and live events frieze elevates the provocative, brilliant and leading voices who shape and challenge today’s art world.

CONTRIBUTORS

Editor's Letter

Frieze

Suzanne Jackson • To Do: What's on the agenda for the art world's most booked and busy?

Slow Violence • One Take: On the occasion of Hannah Chalew's Prospect.6 presentation, Louis Bury revisits her 2020 drawing Embodied Emissions

Like a Tree Planted by the Water • Lay of the Land: Allison Janae Hamilton on the haunting and healing of homelands by Bryn Evans

I want a world where my kid can have clean water and clean air.

Shooting Sinkholes • Lay of the Land: Jonas N.T. Becker chronicles rapacious cycles of extraction in Appalachia

Buckle Up • Lav of the Land: Tanner Adell on country music's new era

Navigating by Feel • Lay of the Land: How Marshallese culture and history is being kept alive in Arkansas by Lois Taylor Biggs

Vanishing Points • Lay of the Land: Two artists reckon with erasure at the Louisiana coastline by Andrea Andersson

Features

SUZANNE JACKSON • Profile: The multidisciplinary artist looks back on her journey from Alaska to Savannah, weaving a rich tapestry of community building and artistic innovation by Jamey Hatley

'It's not about lines and boundaries, it's about people and communities.' • Conversation: Museum curators Valerie Cassel Oliver and Kevin W. Tucker discuss the evolving perception of Southern art, its complexities and its growing influence on the national and international art scene

When the Spirit Moves • The photographer reflects on his work visualizing New Orleans and the American South

Humble Objects • Roundtable: Four artists in Prospect, 6 New Orleans -Christian Đinh, Tuan Mami, Tuâǹ Andrew Nguyền anti Arlene Quỳnh-Anh Trần - reflect on diaspora, cultural preservation and the parallels between Southern Vietnam and the American South

THE WORLD AS MIAMI • Essay: Edna Bonhomme reflects on the economic and architectural changes of her hometown, Miami, depicted through art and film

Asia Pacific

Europe

Americas

Reviews

Hugh Hayden • Nasher Sculpture Center, Dallas, USA

a vista • Bel Ami, Los Angeles, USA

Magdalena Suarez Frimkess • Los Angeles County Museum of Art, USA

Soft Fantasy/Hard Reality • Silverlens, New York, USA

Liliana Porter • Dia Bridgehampton, New York, USA

Margarita Cabrera • Jane Lombard Gallery, New York, USA

Leda Catunda • Carpintaria, Rio de Janeiro, Brazil

Dominique White • Whitechapel Gallery, London, UK

Firelei Báez • South London Gallery, UK

Gary Hume • Sprüth Magers, London, UK

Prem Sahib • Edinburgh Art Festival, UK

Haroon Mirza • SCAI The Bathhouse, Tokyo, Japan

Vy Trinh • Galerie Quynh, Ho Chi Minh City

Cecilia Jiménez Ojeda • Standard (Oslo), Norway

Rose English • Museum der Moderne Salzburg, Austria

Tobias Spichtig • Jan Kaps, Cologne, Germany

Lynn Hershman Leeson • Julia Stoschek Foundation, Dusseldorf, Germany

Kathrin Sonntag and Gabriele Münter • Marla Herford, Germany

Caja Boogers • Galerie Gerhard Hofland, Amsterdam, the Netherlands

Andrea Fraser • Marian Goodman Gallery, Paris, France

Jacopo Benassi • Francesca Minini, Milan, Italy

Postcard from Santo Domingo • Missive: A moment of...


Expand title description text
Frequency: Every other month Pages: 168 Publisher: Frieze Publishing Ltd. Edition: Issue 247 - November/December 2024

OverDrive Magazine

  • Release date: October 30, 2024

Formats

OverDrive Magazine

Languages

English

Frieze is a contemporary art magazine, published eight times a year. It was founded in London in 1991 and is renowned for publishing essays, profiles, interviews and reviews by today’s leading writers, artists and curators. Across all platforms and live events frieze elevates the provocative, brilliant and leading voices who shape and challenge today’s art world.

CONTRIBUTORS

Editor's Letter

Frieze

Suzanne Jackson • To Do: What's on the agenda for the art world's most booked and busy?

Slow Violence • One Take: On the occasion of Hannah Chalew's Prospect.6 presentation, Louis Bury revisits her 2020 drawing Embodied Emissions

Like a Tree Planted by the Water • Lay of the Land: Allison Janae Hamilton on the haunting and healing of homelands by Bryn Evans

I want a world where my kid can have clean water and clean air.

Shooting Sinkholes • Lay of the Land: Jonas N.T. Becker chronicles rapacious cycles of extraction in Appalachia

Buckle Up • Lav of the Land: Tanner Adell on country music's new era

Navigating by Feel • Lay of the Land: How Marshallese culture and history is being kept alive in Arkansas by Lois Taylor Biggs

Vanishing Points • Lay of the Land: Two artists reckon with erasure at the Louisiana coastline by Andrea Andersson

Features

SUZANNE JACKSON • Profile: The multidisciplinary artist looks back on her journey from Alaska to Savannah, weaving a rich tapestry of community building and artistic innovation by Jamey Hatley

'It's not about lines and boundaries, it's about people and communities.' • Conversation: Museum curators Valerie Cassel Oliver and Kevin W. Tucker discuss the evolving perception of Southern art, its complexities and its growing influence on the national and international art scene

When the Spirit Moves • The photographer reflects on his work visualizing New Orleans and the American South

Humble Objects • Roundtable: Four artists in Prospect, 6 New Orleans -Christian Đinh, Tuan Mami, Tuâǹ Andrew Nguyền anti Arlene Quỳnh-Anh Trần - reflect on diaspora, cultural preservation and the parallels between Southern Vietnam and the American South

THE WORLD AS MIAMI • Essay: Edna Bonhomme reflects on the economic and architectural changes of her hometown, Miami, depicted through art and film

Asia Pacific

Europe

Americas

Reviews

Hugh Hayden • Nasher Sculpture Center, Dallas, USA

a vista • Bel Ami, Los Angeles, USA

Magdalena Suarez Frimkess • Los Angeles County Museum of Art, USA

Soft Fantasy/Hard Reality • Silverlens, New York, USA

Liliana Porter • Dia Bridgehampton, New York, USA

Margarita Cabrera • Jane Lombard Gallery, New York, USA

Leda Catunda • Carpintaria, Rio de Janeiro, Brazil

Dominique White • Whitechapel Gallery, London, UK

Firelei Báez • South London Gallery, UK

Gary Hume • Sprüth Magers, London, UK

Prem Sahib • Edinburgh Art Festival, UK

Haroon Mirza • SCAI The Bathhouse, Tokyo, Japan

Vy Trinh • Galerie Quynh, Ho Chi Minh City

Cecilia Jiménez Ojeda • Standard (Oslo), Norway

Rose English • Museum der Moderne Salzburg, Austria

Tobias Spichtig • Jan Kaps, Cologne, Germany

Lynn Hershman Leeson • Julia Stoschek Foundation, Dusseldorf, Germany

Kathrin Sonntag and Gabriele Münter • Marla Herford, Germany

Caja Boogers • Galerie Gerhard Hofland, Amsterdam, the Netherlands

Andrea Fraser • Marian Goodman Gallery, Paris, France

Jacopo Benassi • Francesca Minini, Milan, Italy

Postcard from Santo Domingo • Missive: A moment of...


Expand title description text