Frieze is a contemporary art magazine, published eight times a year. It was founded in London in 1991 and is renowned for publishing essays, profiles, interviews and reviews by today’s leading writers, artists and curators. Across all platforms and live events frieze elevates the provocative, brilliant and leading voices who shape and challenge today’s art world.
CONTRIBUTORS
Editor's Letter
Frieze
Suzanne Jackson • To Do: What's on the agenda for the art world's most booked and busy?
Slow Violence • One Take: On the occasion of Hannah Chalew's Prospect.6 presentation, Louis Bury revisits her 2020 drawing Embodied Emissions
Like a Tree Planted by the Water • Lay of the Land: Allison Janae Hamilton on the haunting and healing of homelands by Bryn Evans
I want a world where my kid can have clean water and clean air.
Shooting Sinkholes • Lay of the Land: Jonas N.T. Becker chronicles rapacious cycles of extraction in Appalachia
Buckle Up • Lav of the Land: Tanner Adell on country music's new era
Navigating by Feel • Lay of the Land: How Marshallese culture and history is being kept alive in Arkansas by Lois Taylor Biggs
Vanishing Points • Lay of the Land: Two artists reckon with erasure at the Louisiana coastline by Andrea Andersson
Features
SUZANNE JACKSON • Profile: The multidisciplinary artist looks back on her journey from Alaska to Savannah, weaving a rich tapestry of community building and artistic innovation by Jamey Hatley
'It's not about lines and boundaries, it's about people and communities.' • Conversation: Museum curators Valerie Cassel Oliver and Kevin W. Tucker discuss the evolving perception of Southern art, its complexities and its growing influence on the national and international art scene
When the Spirit Moves • The photographer reflects on his work visualizing New Orleans and the American South
Humble Objects • Roundtable: Four artists in Prospect, 6 New Orleans -Christian Đinh, Tuan Mami, Tuâǹ Andrew Nguyền anti Arlene Quỳnh-Anh Trần - reflect on diaspora, cultural preservation and the parallels between Southern Vietnam and the American South
THE WORLD AS MIAMI • Essay: Edna Bonhomme reflects on the economic and architectural changes of her hometown, Miami, depicted through art and film
Asia Pacific
Europe
Americas
Reviews
Hugh Hayden • Nasher Sculpture Center, Dallas, USA
a vista • Bel Ami, Los Angeles, USA
Magdalena Suarez Frimkess • Los Angeles County Museum of Art, USA
Soft Fantasy/Hard Reality • Silverlens, New York, USA
Liliana Porter • Dia Bridgehampton, New York, USA
Margarita Cabrera • Jane Lombard Gallery, New York, USA
Leda Catunda • Carpintaria, Rio de Janeiro, Brazil
Dominique White • Whitechapel Gallery, London, UK
Firelei Báez • South London Gallery, UK
Gary Hume • Sprüth Magers, London, UK
Prem Sahib • Edinburgh Art Festival, UK
Haroon Mirza • SCAI The Bathhouse, Tokyo, Japan
Vy Trinh • Galerie Quynh, Ho Chi Minh City
Cecilia Jiménez Ojeda • Standard (Oslo), Norway
Rose English • Museum der Moderne Salzburg, Austria
Tobias Spichtig • Jan Kaps, Cologne, Germany
Lynn Hershman Leeson • Julia Stoschek Foundation, Dusseldorf, Germany
Kathrin Sonntag and Gabriele Münter • Marla Herford, Germany
Caja Boogers • Galerie Gerhard Hofland, Amsterdam, the Netherlands
Andrea Fraser • Marian Goodman Gallery, Paris, France
Jacopo Benassi • Francesca Minini, Milan, Italy
Postcard from Santo Domingo • Missive: A moment of...